Over the years, Cloe Jancis has dedicated a significant part of her work to modern beauty rituals. Using installation, photography and video, she has shown us the motions and behaviours that many of us go through – or in a sense even perform – in front of a mirror every day. Her works have reflected the self-care tutorials on social media, as well as the quietly repressive violence that accompanies this uniformly nude-coloured fake beauty. The works exhibited at Wishing Well have emerged from the same process; however, a mysterious veil of parables has arisen between the art objects and the people experiencing them. As in previous cases, here too Jancis is her own model; we see objects associated with beauty rituals or their derivatives, yet there is something else here too … An intention reminiscent of a ghostly obsession that amplifies the sense that the artist’s hand has been directed by something bigger and older than herself.